Media

Lina Bo Bardi: Habitat

Jun 13 - Sep 27, 2020

Press images

Lina Bo Bardi, Bardi’s Bowl Armchair, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Eduardo Ortega
Lina Bo Bardi and cat at the Glass House, São Paulo, undated. Courtesy of Instituto Bardi
Lina Bo Bardi, Study for the installation of a group show, undated. Collection MASP, Photo: MASP
Lina Bo Bardi, Museum of Modern Art: perspective drawing of the interior, 1982. Collection of the Instituto Bardi/ Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, 1978. Photo: Bob Wolfenson
Lina Bo Bardi, Perspective, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Seat plan and perspective, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Untitled (Self-Portrait), 1933. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Preliminary study: feasible sculptures for the Trianon Art Museum Belvedere, 1968. Collection MASP, Photo: MASP
Lina Bo Bardi, Plan of the circulation scheme, 1970. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Interior view of Coatí restaurant on Ladeira da Misericórdia, 2002. Photo: Nelson Kon
Exterior view of Coatí restaurant on Ladeira da Misericórdia, 2002. Photo: Nelson Kon
Lina Bo Bardi, Plan: Coatí restaurant, 1987. Collection of the Instituto Bardi/Casa de Vidro, São Paulo, Photo: Henrique Luz/Instituto Bardi.
Lina Bo Bardi, Elevation, 1984. Collection of the Instituto Bardi/Casa de Vidro, São Paulo, Photo: Henrique Luz/Instituto Bardi
View of the main gallery at MASP, Avenida Paulista, with Amedeo Modigliani’s painting Renée (1917) displayed on Lina Bo Bardi’s glass easel, 1970s. Author unknown, courtesy of MASP
View of the main gallery at MASP, Avenida Paulista, with Lina Bo Bardi’s glass easels, 1968
View of MASP’s main gallery after the reinstallation of Lina Bo Bardi’s glass easels, 2015
Exterior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon
Exterior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon
Interior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon
Interior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon
Installation view, The Hand of the Brazilian People, MASP, 1969. Collection MASP Research Center, São Paulo, Brazil. Author unknown, courtesy of MASP
Installation view, The Hand of the Brazilian People, MASP, 1969. Collection MASP Research Center, São Paulo, Brazil. Author unknown, courtesy of MASP
View of the reconstruction of the exhibition The Hand of the Brazilian People, MASP, 2016. Photo: Eduardo Ortega
Installation view of Northeast at Galleria Nazionale d’Arte Moderna, Rome, 1965. Photo: Oscar Savio, courtesy of Instituto Bardi
Installation view of Northeast at Galleria Nazionale d’Arte Moderna, Rome, 1965. Photo: Oscar Savio, courtesy of Instituto Bardi
View of One Hundred Portinari Masterpieces on MASP’s first floor, 1970. Collection MASP Research Center, São Paulo, Brazil. Photo: José Xavier
Lina Bo Bardi, Perspective drawing, Roadside Chair, 1967. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Roadside Chair, 1967. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi seated in the Roadside Chair, 1967. Courtesy of Instituto Bardi
Lina Bo Bardi, São Paulo Museum of Art: perspective, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, São Paulo Museum of Art: perspective drawing of the Belvedere, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Perspective drawing of the Belvedere showing the installation of the Piolin Circus, São Paulo Museum of Art, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
View from a “window hole” of the sports block at Sesc Pompeia, undated. Photo: Sergio Gicovate, courtesy of Instituto Bardi
View of a walkway of the sports block at Sesc Pompeia, 2002. Photo: Nelson Kon
View of the multisport area at Sesc Pompeia, 2008. Photo: Nelson Kon
Lina Bo Bardi, Perspective drawing of the staircase, Solar do Unhão, Museum of Popular Art, 1959. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Lina Bo Bardi, Plans for Solar do Unhão, Museum of Popular Art, Salvador, 1959. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi
Interior view of the Solar do Unhão with wood ladder fittings designed by Lina Bo Bardi, 1963. Photo: Armin Guthmann, courtesy of Instituto Bardi