MCA – Media: Lina Bo Bardi: Habitat

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Press images

Lina Bo Bardi, Bardi’s Bowl Armchair, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Eduardo Ortega

Lina Bo Bardi and cat at the Glass House, São Paulo, undated. Courtesy of Instituto Bardi

Lina Bo Bardi, Study for the installation of a group show, undated. Collection MASP, Photo: MASP

Lina Bo Bardi, Museum of Modern Art: perspective drawing of the interior, 1982. Collection of the Instituto Bardi/ Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, 1978. Photo: Bob Wolfenson

Lina Bo Bardi, Perspective, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Seat plan and perspective, 1951. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Untitled (Self-Portrait), 1933. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Preliminary study: feasible sculptures for the Trianon Art Museum Belvedere, 1968. Collection MASP, Photo: MASP

Lina Bo Bardi, Plan of the circulation scheme, 1970. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Interior view of Coatí restaurant on Ladeira da Misericórdia, 2002. Photo: Nelson Kon

Exterior view of Coatí restaurant on Ladeira da Misericórdia, 2002. Photo: Nelson Kon

Lina Bo Bardi, Plan: Coatí restaurant, 1987. Collection of the Instituto Bardi/Casa de Vidro, São Paulo, Photo: Henrique Luz/Instituto Bardi.

Lina Bo Bardi, Elevation, 1984. Collection of the Instituto Bardi/Casa de Vidro, São Paulo, Photo: Henrique Luz/Instituto Bardi

View of the main gallery at MASP, Avenida Paulista, with Amedeo Modigliani’s painting Renée (1917) displayed on Lina Bo Bardi’s glass easel, 1970s. Author unknown, courtesy of MASP

View of the main gallery at MASP, Avenida Paulista, with Lina Bo Bardi’s glass easels, 1968

View of MASP’s main gallery after the reinstallation of Lina Bo Bardi’s glass easels, 2015

Exterior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon

Exterior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon

Interior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon

Interior view of Lina Bo Bardi’s Glass House, 2002. Photo: Nelson Kon

Installation view, The Hand of the Brazilian People, MASP, 1969. Collection MASP Research Center, São Paulo, Brazil. Author unknown, courtesy of MASP

Installation view, The Hand of the Brazilian People, MASP, 1969. Collection MASP Research Center, São Paulo, Brazil. Author unknown, courtesy of MASP

View of the reconstruction of the exhibition The Hand of the Brazilian People, MASP, 2016. Photo: Eduardo Ortega

Installation view of Northeast at Galleria Nazionale d’Arte Moderna, Rome, 1965. Photo: Oscar Savio, courtesy of Instituto Bardi

Installation view of Northeast at Galleria Nazionale d’Arte Moderna, Rome, 1965. Photo: Oscar Savio, courtesy of Instituto Bardi

View of One Hundred Portinari Masterpieces on MASP’s first floor, 1970. Collection MASP Research Center, São Paulo, Brazil. Photo: José Xavier

Lina Bo Bardi, Perspective drawing, Roadside Chair, 1967. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Roadside Chair, 1967. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi seated in the Roadside Chair, 1967. Courtesy of Instituto Bardi

Lina Bo Bardi, São Paulo Museum of Art: perspective, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, São Paulo Museum of Art: perspective drawing of the Belvedere, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Perspective drawing of the Belvedere showing the installation of the Piolin Circus, São Paulo Museum of Art, 1957–68. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

View from a “window hole” of the sports block at Sesc Pompeia, undated. Photo: Sergio Gicovate, courtesy of Instituto Bardi

View of a walkway of the sports block at Sesc Pompeia, 2002. Photo: Nelson Kon

View of the multisport area at Sesc Pompeia, 2008. Photo: Nelson Kon

Lina Bo Bardi, Perspective drawing of the staircase, Solar do Unhão, Museum of Popular Art, 1959. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Lina Bo Bardi, Plans for Solar do Unhão, Museum of Popular Art, Salvador, 1959. Collection of the Instituto Bardi/Casa de Vidro, São Paulo. Photo: Henrique Luz/Instituto Bardi

Interior view of the Solar do Unhão with wood ladder fittings designed by Lina Bo Bardi, 1963. Photo: Armin Guthmann, courtesy of Instituto Bardi