Mike Kelley

Mike Kelley is born in Wayne, Michigan.

Mike Kelley and Jim Shaw meet while undergraduates at the University of Michigan, Ann Arbor.

Mike Kelley and Jim Shaw put up flyers around the university publicizing fake lectures. When students would show up, they would engage in “guerilla style” performances including The Futurist Ballet.

Mike Kelley, Cary Loren, Niagara, and Jim Shaw cofound Destroy All Monsters, a proto-punk band.

Mike Kelley and Jim Shaw live in a house, located at 741 Packard Road, that they call “God’s Oasis.” It also serves as Destroy All Monsters’s practice space.

Cary Loren publishes a magazine called Destroy All Monsters, which includes ephemera and artwork by Mike Kelley and Jim Shaw, as well as shots of the band and artist collective.

Mike Kelley and Jim Shaw leave Ann Arbor for California to attend CalArts for their MFAs.

During their CalArts years, Mike Kelley and Jim Shaw live together in a house in Sylmar.

Mike Kelley earns his BA from the University of Michigan, Ann Arbor.

Mike Kelley makes a portrait of Jim Shaw based on a photograph taken of Kelley, Shaw, and John Reed as undergraduates.

Mike Kelley moves to California to attend CalArts. Douglas Huebler is one of his teachers.

Mike Kelley and Stephen Prina meet at CalArts. Because Prina is a musician, Kelley invites him to play keyboard in an iteration of his band, Gobbler.

Mike Kelley and Jim Shaw earn their MFAs from CalArts.

Although they weren’t in the same years, Stephen Prina recalls first catching a “glimpse” of Mike Kelley during Prina’s first-semester orientation at CalArts.

Mike Kelley has his first solo exhibition at the Mizuno Gallery titled Meditation on a Can of Vernors.

Mike Kelley begins exhibiting at Rosamund Felsen Gallery with the exhibition Monkey Island. Kelley has many solo exhibitions there throughout the 1980s and 1990s.

Jorge Pardo attends the ArtCenter College of Design in Pasadena, where Mike Kelley and Stephen Prina are his teachers.

Mike Kelley begins collaborating with Paul McCarthy on many videos and installations including Fresh Acconci (1995).

David Hammons, Mike Kelley, and William Wegman are included in the group exhibition Just Pathetic at Rosamund Felsen Gallery.

Mike Kelley and Jim Shaw are both included in Helter Skelter: L.A. Art in the 1990s, an important exhibition at the Museum of Contemporary Art, Los Angeles (MOCA).

Mike Kelley accepts a teaching position at the ArtCenter College of Design in Pasadena alongside Richard Hawkins and Stephen Prina.

Mike Kelley, Anita Pace, and Stephen Prina collaborate on the performance piece Beat of the Traps, which premieres at Gindi Auditorium, University of Judaism, Los Angeles.

Shortly after getting married, Jim Shaw and his wife, Marnie Weber, move into a house up the hill from Mike Kelley.

The original Destroy All Monsters members (Mike Kelley, Niagara, Cary Loren, and Jim Shaw) reunite for shows in the Detroit/Ann Arbor area.

Mike Kelley donates three works by fellow artists, including Jim Isermann, to the Museum of Contemporary Art, Los Angeles (MOCA).

The Destroy All Monsters band and artist collective (Mike Kelley, Cary Loren, Niagara, and Jim Shaw) create an installation of four mural-sized paintings and a video titled Strange Fruit: Rock Apocrypha.

Mike Kelley, Stephen Prina, and Jim Shaw perform in Shaw’s performance The Initiation Ritual of the 360 Degrees at MoMA PS1.

Aaron Curry and Sterling Ruby move to California to get their MFAs at the ArtCenter College of Design in Pasadena, where Richard Hawkins and Mike Kelley are teachers. Ruby cites Kelley and the exhibition Helter Skelter as reasons he moved to California.

Sterling Ruby is Mike Kelley’s teaching assistant for three years.

Lynn Hershman Leeson interviews Mike Kelley for !Women Art Revolution.

Mike Kelley plays drums in Jim Shaw’s daughter Colette Weber Shaw’s band Dolphin Explosion (with her friend Ariel West) and records and produces the full-length album Boogie Man, which features their artwork on the packaging.

Mike Kelley’s film Day Is Done includes the debut of Jim Shaw’s daughter, Colette Weber Shaw, as Angel Girl.

Jim Nutt has a solo exhibition at MCA Chicago titled Jim Nutt: Coming Into Character. It is accompanied by Seeing Is a Kind of Thinking: A Jim Nutt Companion, which included works by Nutt, Aaron Curry, Mike Kelley, Bruce Nauman, Gladys Nilsson, and Karl Wirsum.

Joe Goode, Stephen Kaltenbach, Mike Kelley, Tom Marioni, Bruce Nauman, Senga Nengudi, Allen Ruppersberg, and Ed Ruscha are included in the group exhibition Under the Big Black Sun: California Art 1974–1981 at the Museum of Contemporary Art, Los Angeles.

Cary Loren oversees the subterranean layer of Mike Kelley’s Mobile Homestead (2013), helping to organize secret exhibitions beneath a reproduction of Kelley’s childhood home.

The Museum of Contempoary Art, Los Angeles, hosts the traveling exhibition Mike Kelley.