Los Angeles

June Wayne moves to Los Angeles.

Ed Ruscha visits Los Angeles with his family as a teenager.

Larry Bell’s family moves to Los Angeles.

Billy Al Bengston’s family moves to Los Angeles.

Judithe Hernández is born in Los Angeles.

Carlos Almaraz’s family moves to Los Angeles.

Billy Al Bengston studies at Los Angeles Junior College (now Los Angeles City College).

Billy Al Bengston moves to Oakland and enrolls at the California College of Arts and Crafts but moves back to Los Angeles within the year.

Billy Al Bengston enrolls at the Los Angeles County Art Institute (now Otis College of Art and Design) and studies with Peter Voulkos but leaves after a year.

Due to a relapse of tuberculosis, Charles White relocates from New York to Los Angeles in search of a better climate.

Ed Ruscha and Mason Williams share a room at Mrs. Steer’s Boarding House near downtown Los Angeles.

Ed Ruscha plans on enrolling at ArtCenter College of Design in Los Angeles, but the student quota is full. Ruscha attends Chouinard Art Institute instead.

Mason Williams attends Los Angeles City College but quits his major in math after spending more time at jazz clubs than studying. He decides to become a musician.

Billy Al Bengston is part of a group exhibition at the Ferus Gallery.

Barney’s Beanery, a popular West Hollywood bar, is an important source of community for Billy Al Bengston, Joe Goode, Jerry McMillan, and Ed Ruscha, as well as others who show at the Ferus Gallery.

Judy Chicago moves to Los Angeles to attend UCLA.

Larry Bell attends Chouinard Art Institute in Los Angeles.

Roy De Forest exhibits in two group shows at the Ferus Gallery with Billy Al Bengston.

Billy Al Bengston has solo exhibitions at the Ferus Gallery.

At Chouinard Art Institute in Los Angeles, Joe Goode, Jerry McMillan, and Ed Ruscha meet and befriend fellow Okies Patrick Blackwell and Don Moore. They refer to themselves as the “Students Five.”

On a winter trip back from Los Angeles to Oklahoma City, Ed Ruscha convinces Jerry McMillan to come to Los Angeles for school, which then motivates Joe Goode to also head west and pursue his artistic career.

Joe Goode attends Chouinard Art Institute.

Joe Goode works as a janitor at Chouinard.

Joe Goode meets his first wife Judy Winans at Chouinard, where she is a ceramics major.

Joe Goode, Jerry McMillan, and Ed Ruscha work at Al Cassell’s Patio Restaurant.

Larry Bell is included in Los Angeles County Museum of Art’s (LACMA) annual exhibition of Southern California painting and sculpture.

Joe Goode, Jerry McMillan, and Ed Ruscha participate in the La Cienega gallery walks on Monday nights. Afterwards, he and his friends hang out at Barney’s Beanery, a favorite watering hole for many young Los Angeles–based artists.

Ed Ruscha graduates from Chouinard.

June Wayne, founder of the Tamarind Lithography Workshop in Los Angeles, invites Garo Antreasian to serve as the first technical director and master printer of Tamarind.

Patrick Blackwell, Joe Goode, Jerry McMillan, Don Moore, and Ed Ruscha (who refer to themselves as the Students Five) live with Wally Batterson in a house on Madison Avenue in Silver Lake, California; all attend Chouinard. They then move into a little house on New Hampshire Avenue in Hollywood.

After having realized she had to go to Paris to have lithographs executed properly, June Wayne secures a Ford Foundation grant to open the Tamarind Lithography Workshop on Tamarind Avenue in Los Angeles. She hopes to revive the art of lithography through fellowships for artists.

Ed Ruscha has solo exhibitions at the Ferus Gallery.

After graduation, Joe Goode, Ed Ruscha, and Patty, Jerry McMillan’s future wife, work for Sunset House, a mail-order firm.

Joe Goode organizes War Babies at Huysman Gallery on La Cienega Boulevard with works by Larry Bell, Ed Bereal, and Ron Miyashiro. The exhibition poster features photography by Jerry McMillan.

Allen Ruppersberg enrolls in Chouinard Art Institute. Robert Irwin and Emerson Woelffler are some of his professors.

Judy Chicago knows Billy Al Bengston from her days as a student at UCLA.

Bruce Conner has a solo exhibition at the Ferus Gallery in June.

Judy Chicago earns her BA from UCLA.

Billy Al Bengston teaches for a year at UCLA when Judy Chicago is in graduate school. Bengston’s studio is the first Chicago ever visits, and she considers him the first real artist she’s met.

Larry Bell has solo exhibitions at the Ferus Gallery.

Terry Allen moves to Los Angeles to attend Chouinard Art Institute.

Terry Allen and Allen Ruppersberg meet on the first day of school at Chouinard.

Vija Celmins moves to Los Angeles.

Billy Al Bengston, Joe Goode, and Ed Ruscha are included in the group exhibition Six More at the Los Angeles County Museum of Art, Los Angeles.

David Hammons moves to Los Angeles to attend Los Angeles City College.

Joe Goode and Ed Ruscha hitchhike from Los Angeles to New York.

Joe Goode shows at Rolf Nelson Gallery on La Cienega Boulevard.

John Outterbridge and his new wife, Beverly McKissick, leave Chicago for Los Angeles’s warmer weather and bigger art scene.

Larry Bell, Billy Al Bengston, and Ed Ruscha are included in a group show at the Ferus Gallery.

Billy Al Bengston, Robert Irwin, Ed Moses, and Ken Price are included in the Ferus Gallery’s Studs exhibition.

David Hammons transfers to Los Angeles Trade and Technical College to study advertising.

Ed Ruscha has a solo exhibition at the Ferus Gallery. At the opening he meets actor Dennis Hopper, whose 1961 photograph Double Standard, taken on the corner of Santa Monica Blvd and Melrose Avenue through his car windshield, is used in the show’s announcement. Hopper buys Standard Station, Amarillo Texas (1963), which was featured in the exhibition. After the opening, Hopper and Ruscha become lifelong friends.

Judy Chicago receives her MFA in painting and sculpture from UCLA.

After leaving the Navy in 1963, Mason Williams returns to Los Angeles and lives with Ed Ruscha.

Jerry McMillan photographs Mason Williams in Los Angeles.

Mason Williams occasionally helps Ed Ruscha lay out Artforum.

Miriam Schapiro receives a Ford Foundation Grant to hold a lithography workshop at Tamarind in Los Angeles.

Charles White begins teaching at Otis Art Institute.

Because of Charles White’s frail condition, John Outterbridge drives him around Los Angeles.

Ed Ruscha moves into a large studio on Western Avenue in Los Angeles. He stays there for almost 20 years.

Under the pseudonym Eddie Russia, Ruscha assumes the role of art director for Artforum, which moves from San Francisco to Los Angeles in 1965 and rents a space above the Ferus Gallery. Ruscha remains the art director two years after the publication moves to New York from Los Angeles.

Nicholas Wilder Gallery opens on La Cienega Boulevard and shows work by Joe Goode and Bruce Nauman.

John Outterbridge begins teaching at the Watts Towers Arts Center.

Judithe Hernández receives the first Future Masters Scholarship from the Los Angeles County Museum of Art (LACMA), which allows her to attend Otis Art Institute.

Judy Chicago moves into an apartment next to Joe Goode’s on Western Avenue.

Judy Chicago watches Billy Al Bengston race motorcycles and hangs out with the “Ferus gang” at Barney’s Beanery, although she acknowledges the machismo of the crew.

Judy Chicago participates in the La Cienega gallery walks on Mondays.

Judy Chicago shows at the Rolf Nelson Gallery on La Cienega Boulevard.

Feingarten Galleries in Los Angeles organizes Lynn Hershman Leeson’s first solo exhibition.

Senga Nengudi teaches classes at the Watts Towers Arts Center.

Vija Celmins receives her MFA from UCLA.

Nicholas Wilder and Joe Goode drive north to visit Bruce Nauman in his studio and, as a result, Nauman has his first solo show in May at the Nicholas Wilder Gallery along La Cienega Boulevard. Nauman’s Mold for a Modernized Slant Step is included in this exhibition.

David Hammons attends Chouinard Art Institute and graduates in 1968.

Senga Nengudi earns her BA from California State University, Los Angeles (Cal State LA).

Terry Allen earns his BFA from Chouinard.

Terry Allen, Allen Ruppersberg, and a group of friends from Chouinard cofound Gallery 66, a cooperative gallery in Los Angeles that operates for one year.

Allen Ruppersberg graduates from Chouinard with a BFA.

Allen Ruppersberg participates in his first group exhibition, New Directions, at the Westside Jewish Community Center in Los Angeles. The show also includes Bruce Nauman and Ed Ruscha.

Carlos Almaraz is part of a group exhibition at Otis Art Institute.

Larry Bell is included in the group exhibition American Sculpture of the Sixties at LACMA.

Suzanne Jackson moves to Los Angeles.

Suzanne Jackson serves as a model for Charles White’s classes at Otis Art Institute.

The Los Angeles County Museum of Art (LACMA) organizes a Billy Al Bengston retrospective that includes furniture from Larry Bell and Ed Ruscha, with installation design by a young Frank Gehry. Ruscha designs the cover for the catalogue, which is made of sandpaper.

David Hammons takes night classes at Otis Art Institute. Hammons’s drawing teacher, Charles White, makes a profound impact on him as the first successful black man whom Hammons has encountered.

David Hammons, Senga Nengudi, and John Outterbridge, along with other artists, gather at Suzanne Jackson’s Gallery 32 to eat and talk.

Suzanne Jackson takes a drawing class with Charles White at Otis, where she also meets David Hammons.

Suzanne Jackson founds Gallery 32 (1968–70) out of her studio at 672 North Lafayette Park Place, near MacArthur Park, around the corner from Otis and Chouinard Art Institute.

Allen Ruppersberg meets William Wegman in Los Angeles.

David Hammons exhibits his body prints at Gallery 32.

Emory Douglas has a solo exhibition at Suzanne Jackson’s Gallery 32 in Los Angeles. The exhibition serves as a fundraiser for Black Panther Party programs, including free breakfast for children, free health clinics, and freeing political prisoners.

Larry Bell has solo exhibitions at the Mizuno Gallery.

Jerry McMillan photographs Mason Williams in Los Angeles.

Suzanne Jackson organizes a solo exhibition of Black Panther Party member Emory Douglas at Gallery 32. The LAPD and FBI visit the gallery throughout the exhibition to monitor it.

Vija Celmins has solo exhibitions at the Mizuno Gallery on La Cienega Boulevard.

Immediately after graduating from the California College of Arts and Crafts, Barbara Kasten moves to Los Angeles to be a substitute teacher for Bernard Kester’s fiber arts course at UCLA.

Billy Al Benston has an exhibition at the Mizuno Gallery, lit only by candlelight, which features some of his Dentos series.

Art in America publishes Billy Al Bengston‘s “Los Angeles Artists’ Studios,” a photo essay featuring his own studio along with Larry Bell’s, Joe Goode’s, and Ed Ruscha’s, among others.

Bruce Nauman has a solo exhibition at Nicholas Wilder Gallery.

Carlos Almaraz is included in the group exhibition Four Chicano Artists at CalState, Los Angeles.

Jerry McMillan photographs Judy Chicago for her ad in Artforum announcing her name change.

John Outterbridge is included in a group exhibition at Gallery 32.

Judithe Hernández serves as resident artist for Aztlán: Chicano Journal of the Social Sciences and the Arts, published by the UCLA Chicano Studies Research Center.

Judy Chicago takes out an ad in Artforum to announce her Fullerton exhibition and her name change. Jerry McMillan takes the photograph, which features Chicago in a boxing ring sporting a sweatshirt with her new name, her friend’s girlfriend standing behind her, and gallerist Jack Glenn crouching in the corner like a boxing manager.

Tamarind Lithography Workshop, founded by June Wayne, moves to Albuquerque, New Mexico, from Los Angeles and becomes the Tamarind Institute, a division of the College of Fine Arts of the University of New Mexico.

Larry Bell is included in a group exhibition at the Mizuno Gallery.

Gallery 32 hosts Sapphire Show: You’ve come a long way, baby, an exhibition of work by six black women artists including Suzanne Jackson and Senga Nengudi. It is the first survey of black women artists in Los Angeles.

As a fundraiser, Gallery 32 exhibits work by children taking classes at the Watts Towers Arts Center.

Allen Ruppersberg proposes Al’s Grand Hotel for the Los Angeles County Museum of Art’s exhibition 24 Young Los Angeles Artists, which also includes Vija Celmins, Robert Cumming, and William Wegman.

Bruce Conner uses the Dennis Hopper collages as source material for a series of photo etchings produced at Crown Point Press in Oakland, with founding Director Kathan Brown. They are published in three volumes as The Dennis Hopper One Man Show. Conner originally proposed the collages for an exhibition of the same name at the Nicholas Wilder Gallery in Los Angeles in 1967, but Wilder rejected the proposal given the false attribution.

David Hammons has his first solo exhibition at Brockman Gallery, one of LA's only spaces dedicated to showing artists of color.

David Hammons, Timothy Washington, and Charles White participate in the exhibition Three Graphic Artists at the Los Angeles County Museum of Art (LACMA).

Joe Goode has several solo exhibitions at Nicholas Wilder Gallery.

Allen Ruppersberg offers his LA studio as the location of Ed Ruscha’s first film, Premium, which stars artist Larry Bell.

Larry Bell is included in the group exhibition Transparency, Reflection, Light, Space: 4 Artists at UCLA Art Galleries.

Senga Nengudi receives her MA in sculpture from Cal State LA.

Senga Nengudi teaches classes at the Watts Towers Arts Center.

Terry Allen has a solo exhibition at the Mizuno Gallery.

Vija Celmins, Robert Cumming, Allen Ruppersberg, and William Wegman participate in 24 Young Los Angeles Artists at the Los Angeles County Museum of Art (LACMA).

Barbara Kasten returns to Los Angeles.

The Los Angeles County Museum of Art organizes the traveling exhibition Bruce Nauman: Work from 1965 to 1972, which travels to the San Francisco Museum of Art in 1974.

Carlos Almaraz and Judithe Hernández are friends and classmates at Otis Art Institute, Los Angeles. Almaraz graduates with an MFA in 1974.

Carlos Almaraz has a solo exhibition at the important Mechicano Art Center. Founded in 1969, the center was originally located on gallery row on La Cienega Boulevard and eventually moves to East LA as an alternative art space for exhibitions, mural programs, and poster workshops.

Judithe Hernández earns her BFA at Otis, where she studies under Charles White.

In January and February, Judy Chicago, Miriam Schapiro, and 21 other women artists, many from the Feminist Art Program, participate in Womanhouse, a collaborative art installation staged in an abandoned Hollywood mansion.

Billy Al Bengston has a solo exhibition at Nicholas Wilder Gallery titled Recent Watercolors of Billy Al Bengston.

Bruce Nauman has a solo exhibition at Nicholas Wilder Gallery titled Flayed Earth/Flayed Self (Skin/Sink).

Judy Chicago, Sheila Levrant de Bretteville, and Arlene Raven cofound the Women’s Building, which opens on November 28. They first rent the former Chouinard Art Institute building, located at 743 Grandview Avenue.

Larry Bell, Billy Al Bengston, and Vija Celmins are included in a group show at the Mizuno Gallery.

Billy Al Bengston has a solo exhibition at Nicholas Wilder Gallery titled Billy Al Bengston: New Paintings.

John Outterbridge becomes director of the Watts Towers Arts Center.

Carlos Almaraz and Judithe Hernández produce several murals in Los Angeles.

Mechicano Art Center invites Judithe Hernández and Carlos Almaraz to create murals at the Ramona Gardens housing project in the Boyle Heights neighborhood of Los Angeles. What results are two joint mural projects, La Adelita and Homenaje a las mujeres de Aztlán.

Nicholas Wilder Gallery hosts the traveling exhibition The Consummate Mask of Rock, a solo exhibition of Bruce Nauman's work.

Carlos Almaraz cofounds Centro de Arte Público on 56th and Figueroa in Los Angeles. Judithe Hernández and other artists share a collective studio there.

Judith Barry often performs at the Woman’s Building in Los Angeles.

Judith Barry organizes Seven Sundays After the Fall at La Mamelle, an alternative art space in San Francisco. This series of performances by women includes women from the Woman’s Building in Los Angeles. Barry conducts discussion groups with over 80 women performance artists in the region.

Billy Al Bengston has a solo exhibition at the Mizuno Gallery.

The Contemporary Arts Museum, Houston, organizes the exhibition Billy Al Bengston: Paintings of Three Decades, which travels to the Oakland Museum and the Los Angeles County Museum of Art.

Senga Nengudi organizes the performance Ceremony for Freeway Fets underneath a freeway overpass on Pico Boulevard near the Los Angeles Convention Center. The performance is supported by a Comprehensive Employment and Training Act (CETA) grant and sponsored by Brockman Gallery Productions and the California Department of Transportation. As a part of Studio Z, David Hammons participates.

Stephen Prina moves to Los Angeles to attend CalArts. He was drawn to the school due to the number of conceptual artists among the faculty, including John Baldessari and Douglas Huebler.

Carlos Almaraz is included in the group exhibition L.A. Parks and Wrecks: Reflects on Urban Life at Otis Art Institute.

José Antonio Aguirre creates several murals in Chicago, Los Angeles, and elsewhere.

Carlos Almaraz and Judithe Hernández participate in Murals of Aztlán: The Street Painters of East Los Angeles at the Craft and Folk Art Museum of Los Angeles with other Los Four members.

Larry Bell, Billy Al Bengston, Joe Goode, Bruce Nauman, and Ed Ruscha are included in the group exhibition Art in Los Angeles: Seventeen Artists in the Sixties at the Los Angeles County Museum of Art.

Mike Kelley has his first solo exhibition at the Mizuno Gallery titled Meditation on a Can of Vernors.

Senga Nengudi is included in the group exhibition Men at the Watts Towers Art Center.

Carlos Almaraz is included in the group exhibition Miles Above at Otis Art Institute of Parsons School of Design Gallery.

Mike Kelley begins exhibiting at Rosamund Felsen Gallery with the exhibition Monkey Island. Kelley has many solo exhibitions there throughout the 1980s and 1990s.

Carlos Almaraz is included in the group exhibition Automobile and Culture at the Museum of Contemporary Art, Los Angeles (MOCA).

José Antonio Aguirre meets Sister Karen Boccalero, director and founder of Self Help Graphics & Art in Los Angeles.

Judy Chicago’s Birth Project is exhibited at the Frederick S. Wight Gallery, UCLA.

Larry Bell has a solo exhibition at the Museum of Contemporary Art, Los Angeles (MOCA), titled Chairs in Space: The Game.

The Museum of Contemporary Art, Los Angeles, and the University Art Museum, University of California, Berkeley, host the traveling exhibition Bruce Nauman: Drawings/Zeichnungen, 1965–1986.

José Antonio Aguirre moves to Los Angeles and, at Sister Karen Boccalero’s invitation, he becomes an artist in residence at Self Help Graphics & Art, where he produces serigraphs and starts an intaglio and linocut printmaking studio.

Bruce Nauman has a solo exhibition at the Museum of Contemporary Art, Los Angeles, titled Bruce Nauman: Video, 1965–1986.

John Outterbridge has a solo exhibition at Watts Towers Art Center.

Andrea Bowers moves to Los Angeles to attend CalArts, where Lane Relyea becomes an important teacher to her.

Andrea Bowers teaches at Otis Art Institute.

Carlos Almaraz’s work is included in the exhibition Axis Mundo: Queer Networks in Chicano LA at MOCA.

David Hammons, Mike Kelley, and William Wegman are included in the group exhibition Just Pathetic at Rosamund Felsen Gallery.

Jorge Pardo has a solo exhibition at The Garage, Thomas Solomon’s gallery in West Hollywood, after being introduced to Solomon by Stephen Prina.

The Los Angeles County Museum of Art (LACMA) organizes the exhibition A Tribute to Carlos Almaraz.

Joe Goode has a solo exhibition at the Los Angeles County Museum of Art titled Laboratory: Joe Goode Tornado Triptych.

Joe Goode is included in the group exhibition War Babies: Prints of the Sixties from the Collection at the Los Angeles County Museum of Art.

Mike Kelley and Jim Shaw are both included in Helter Skelter: L.A. Art in the 1990s, an important exhibition at the Museum of Contemporary Art, Los Angeles (MOCA).

Mike Kelley, Anita Pace, and Stephen Prina collaborate on the performance piece Beat of the Traps, which premieres at Gindi Auditorium, University of Judaism, Los Angeles.

The Museum of Contemporary Art, Los Angeles, hosts the traveling exhibition Bruce Nauman (Retrospective.

Jim Shaw has a solo exhibition at Rosamund Felsen Gallery.

Senga Nengudi and John Outterbridge are included in the Watts Towers Art Center's 25th anniversary exhibition, Homecoming.

Judy Chicago’s Birth Project is exhibited at the Museum of Contemporary Art, Los Angeles.

Mary Kelly begins teaching in the School of Art and Architecture at UCLA, where Rodney McMillian and Catherine Opie are also teaching.

Jim Isermann and Jorge Pardo collaborate on a two-person project at the Richard Telles Fine Art gallery in Los Angeles.

When Rebecca Morris first moves to Los Angeles, she rents a studio in the Eagle Rock building where Laura Owens and many other artists have studios.

Billy Al Bengston has a solo exhibition at Rosamund Felsen Gallery titled The Good, The Bad and Nothing Heartless.

Mike Kelley donates three works by fellow artists, including Jim Isermann, to the Museum of Contemporary Art, Los Angeles (MOCA).

Carlos Almaraz is included in the group exhibition Made in California: Art, Image, and Identity, 1900–2000 at LACMA.

Catherine Opie becomes a professor of photography in the Art Department at UCLA.

Sterling Ruby encourages Amanda Ross-Ho to apply to the University of Southern California (USC) in Los Angeles.

Amanda Ross-Ho moves to Los Angeles for graduate school and lives with Sterling Ruby.

Larry Bell, Judy Chicago, Douglas Huebler, and Bruce Nauman are included in the group exhibition A Minimal Future? Art as Object 1958–1968 at the Museum of Contemporary Art, Los Angeles.

Aaron Curry is included in the group exhibition Southern Exposure at the Wight Gallery, UCLA.

After graduate school, Sterling Ruby moves to Los Angeles and leases an old warehouse on Fishburn Avenue near Hazard Park in Boyle Heights to use as studio space for himself and other artist friends, including Aaron Curry and Amanda Ross-Ho.

The Museum of Contemporary Art, Los Angeles, organizes the exhibition Black Panther: The Revolutionary Art of Emory Douglas.

Judy Chicago, Mary Kelly, Lynn Hershman Leeson, Sheila Levrant de Bretteville, Senga Nengudi, Miriam Schapiro, and June Wayne are included in the traveling exhibition WACK! Art and the Feminist Revolution organized by the Museum of Contemporary Art, Los Angeles.

Judithe Hernández moves back to Los Angeles.

Rodney McMillian begins teaching at UCLA.

Aaron Curry and Richard Hawkins collaborate to produce Trophy, brown (2011). The piece is included in Cornfabulation, a collective exhibition between Curry and Hawkins at David Kordansky Gallery in Los Angeles.

Carlos Almaraz is included in the group exhibition Mapping Another L.A.: The Chicano Art Movement at the Fowler Museum at UCLA.

Joe Goode, Stephen Kaltenbach, Mike Kelley, Tom Marioni, Bruce Nauman, Senga Nengudi, Allen Ruppersberg, and Ed Ruscha are included in the group exhibition Under the Big Black Sun: California Art 1974–1981 at the Museum of Contemporary Art, Los Angeles.

Kori Newkirk holds a dual teaching appointment at SAIC and Otis College of Art and Design.

Laura Owens, Wendy Yao (founder of the bookstore Ooga Booga), and Owens’s dealer Gavin Brown found 356 Mission in Boyle Heights, Los Angeles. It begins as Owen’s studio.

Melanie Schiff sets up her studio in Sterling Ruby’s studio warehouse complex in East Los Angeles.

The Museum of Contempoary Art, Los Angeles, hosts the traveling exhibition Mike Kelley.

Catherine Opie has a solo exhibition at the Los Angeles County Museum of Art titled Catherine Opie: O.

Aaron Curry organizes the group exhibition Press your space face close to mine, featuring Karl Wirsum, at The PIT in Los Angeles.

LACMA organizes the exhibition Playing with Fire: Paintings by Carlos Almaraz.

Carlos Almaraz is included in the group exhibition Axis Mundo: Queer Networks in Chicano LA at MOCA.

Mary Kelly joins the faculty of University of Southern California’s Roski School of Art and Design in Los Angeles, where Kori Newkirk is a visiting assistant professor.

Roy De Forest, Gladys Nilsson, and Jim Nutt are included in the group exhibition The Candy Store at Parker Gallery in Los Angeles.

THE PIT, an artist-run space in Los Angeles, hosts a two-person exhibition of Jessica Jackson Hutchins and Rebecca Morris.

David Hammons, Judithe Hernández, and Suzanne Jackson are included in the group exhibition Life Model: Charles White and His Students at the Los Angeles County Museum of Art.